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A Lost Roll of Film: What Old Photographs Can Teach Us About Time

Tuesday, November 11 | By: Wehmeier Portraits

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I couldn’t believe what I was seeing. The soft amber light in the darkroom, the hum of the Jobo, and then, faces I hadn’t seen in over twenty years. I had just finished the last process in the rotary processor, and I was working to transfer the rolls into the final wash. As usual, I roll out the tail of the film to check the density of the negative to see how I did, surprise!

I should take a few steps back. I keep a small plastic bin in my darkroom for unprocessed rolls. When it fills up, I batch develop them—usually five to ten at a time. Most rolls are recent personal work, nothing urgent. But somehow, a roll from decades ago slipped into the mix. I don’t know when, I don’t know how.

After the final wash, I go through a wetting process before drying, and I see more faces from the past. They are faces I know, just younger. As I held the wet film up to the light, I recognized familiar outlines, Elise’s smile, a child’s profile, and a strange place with the word "Manatee" on the wall. My mind scrambled to place it. I had to wait until the film dried and could be scanned to be sure.

The next day, I was super eager to scan the film. However, film this old is a little out of my expertise. Film doesn't age the same as fine wine. It can get a little funky, like gritty, curly, and atmospheric fogging, just to name a few issues, but with a couple of trial passes and adjustments, the scanner and I were up to the challenge. When I finally saw the scans on screen, time collapsed. There was Courtney, our firstborn, just before Brooke was born in early 2003. We were in Florida, celebrating Jon and Darlene’s wedding reception. Twenty-three years vanished in an instant.

What struck me most wasn’t just how young we all looked, though that was pretty wild. It was how present the love and connection still felt, even through the grit and grain of old film. The small gestures, Courtney's eyes taking it all in, the laughter frozen in the hug between Courtney and her aunt, all of it felt like a whisper from a younger version of the ones I love.

Viewing these images of Courtney, Elise, and Aunt "Cookie" (Christa) reminded me how photographs change in meaning over time. What feels like a simple family photo today becomes something far more profound years later, a touchstone for memory, a window into who we were. That’s really what portraits are about. A photograph preserving not just faces, but relationships, and the chapters of our lives that move too quickly to grasp in the moment. It was like opening a precious family time capsule.

When I create portraits for families today, I often think about how these images will be viewed decades from now by the grown-up children, or grandchildren yet to come. It’s a quiet but powerful responsibility to help our families create their portraits with meaning.

That forgotten roll of film reminded me why photography matters, not just as a profession, but as a language of memory. We don’t always know which images will become the ones we treasure most. Sometimes they’re just waiting in a bin in the darkroom, ready to surprise us years later.

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