BEHIND THE LENS
Meet Rob & Elise Wehmeier
What We've Noticed
Over twenty years of creating portraits with families, I've developed what you might call a professional curiosity about when people call.
The stated reason is usually practical, a graduation, a new baby, a holiday card. But in conversation, something else emerges. Someone in the family is sensing that time is moving. A configuration is shifting. A chapter is ending or beginning, and they're looking for a way to pause and acknowledge it.
I began to realize that what I was really doing wasn't taking pictures. I was witnessing transitions that our culture no longer marks with ritual or ceremony. The portrait session became a space where families could stop, stand together, and see themselves at a particular moment that would never come again.
This changed how I approach creating portraits.
How This Began
My path to photography started young—watching my brother develop film in a basement darkroom, being captivated by images appearing in the developer tray. I studied photography formally, then spent over a decade working commercially, photographing products, architecture, and industrial projects throughout the Chicago area.
Everything shifted when my daughter Courtney was born in 1998.
For years I'd told people, "I don't do weddings, and I don't do babies." But suddenly I had binders full of black and white negatives from her first year. I photographed her friends, then their families. I couldn't help noticing to how quickly things changed,how a phase that felt permanent would be gone in months.
In 2001, my wife Elise and I formalized this work as Wehmeier Portraits.
How We Work Together
Wehmeier Portraits is a partnership.
Rob is the photographer and creative lead, guiding the client conversations, the portrait experience, and the vision behind the work. Elise brings the organization and product expertise that turns photographs into finished artwork. She guides clients through selection, framing, presentation, and the details that make the entire process feel calm, personal, and complete.
Together, we approach portrait sessions as something closer to collaboration than transaction.
What We've Come to Believe
The images matter. Technical excellence matters. But they're not what gives this work meaning.
What matters is the space we create before the camera ever comes out. The conversations about what's changing. The questions that help people notice what they're already feeling but haven't named. The permission to slow down when everything in modern life pushes you to move faster.
What matters is paying attention to how a family moves together—the natural distance they keep, where ease shows up, where guardedness lives. And then gently guiding them toward the closeness that exists beneath their everyday patterns.
The portrait that results holds more than how you looked. It holds how you were together at a moment when someone in your family recognized that time was passing and wanted to bear witness to it.
Over the years, we've seen these images grow in meaning. A photograph that seemed ordinary at the time becomes precious later when you realize what it preserved. This is why we still do this work, even as technology makes image-creation easier and more ubiquitous.
The need for genuine witness—for someone to say "stop, this matters, let me help you see it"—hasn't disappeared. If anything, it's become more urgent.
Who We Are Beyond the Work
We live and work in Orland Park, where we've raised our three children (Courtney, plus Brooke and Ryan who came after and changed everything all over again).
We've been doing this together for over twenty five years now. We're members of Professional Photographers of America and the Professional Photographers Association of Northern Illinois, though honestly, the credentials matter less than the accumulated experience of watching hundreds of families navigate change.
What Drives This Work Now
I've written elsewhere about transition, ritual, and why portraits still matter. That essay goes deeper into the philosophy behind our approach.
But the simple version is this: families still need ways to mark the passages that culture no longer pauses to recognize. We create space for that marking to happen. The portrait is the residue of that experience—a reminder that someone witnessed what was changing and helped you see it clearly.
If you sense something shifting in your family, even if you can't name it yet, we'd welcome a conversation about whether this work might serve you.
Oh, by the way... It's all her fault.
It’s all Courtney’s fault! I was really really happy photographing executives, stomping around factories, and photographing industrial parts in the studio. But then she came along and changed everything.
When I first started in photography, I had a great passion for seeing things made. I loved the idea of photographing facilities so that I could look at the insides up close. My first photo assisting jobs out of college was working for a photographer in Northwest Indiana on photo assignments in many of the steel mills and their supporting industries. I was in heaven. As my career progressed, I moved to Chicago and started assisting photographers who not only photographed industrial spaces but also advertising, catalog and corporate photography.
My biggest problem was telling friends and family what I did. When I said that I was a commercial photographer they would reply “what’s that?” I would then launch into a long explanation of the types of photography that I did and where the images were used. Sometimes the explanation still would not make sense to the questioner, and so I would default to saying “I don’t shoot weddings or babies.” It went so far that when a mutual friend of ours was working to set us up on a blind date, Elise asked what I did for a living and the friend replied that she wasn’t too sure, but she knew I didn’t photograph weddings or babies.
Fast forward six years to the birth of my first daughter. At this point I’m still in the city photographing commercial projects, what I didn’t realize was that my next photo project, the first of 3, just showed up. I started burning through film like it was going out of style……and about four years after that it did…..
Above are the binders that hold the B&W negatives from Elise’s pregnancy through Courtney at age two and a half. At this point, you probably have guessed that I was going to have to change my go-to explanation for what I did.
My love of tromping through factories was quickly being replaced by playing and photographing little ones. Mind you I still love factories and learning how things are made, it’s just that getting a little one to smile is worth a million.
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Wehmeier Portraits has created distinctive portraits for our clients in the southwest suburbs and the greater Chicago area for over 25 years. Including the communities of Orland Park, Homer Glen, Tinley Park, Lemont, LaGrange, Palos Park, and Burr Ridge.